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Energizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and
intensity - that is the task of the Energizer. Turning up the TUBE
control to drive the 12AX7 produces warm crunch with rich
harmonics. The BOOST control spruces up highs and lows, resulting
in more transparency. Enjoy a powerful tone also when recording
directly to a line input or via USB on a computer.
ZFX-3 - a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder
section. ZOOM has started a fresh chapter with its new ZFX-3 chip.
The 32-bit architecture ensures outstanding performance and allows
smooth and detailed signal processing. Accuracy and speed ensure
that even delicate picking and fingering work come across with
impressive clarity.
| DSP sound modeling plus tube circuitry create the
ultimate in distortion |
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96 kHz sampling and 24-bit A/D/A conversion assure super
high resolution sound. An abundance of signal processing power
allows accurate recreation of the complex upper-range harmonics
that are the hallmark of tube amplifiers. Analog circuitry using a
12AX7 tube then adds that classic warmth and sonic impact to the
DSP sound. The result combines the best of the digital and analog
worlds: distortion so advanced and sophisticated it elevates your
guitar playing to the next level. |
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Preamp section with two channels |
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The preamp section, comprised of the amp/drive-modeling,
and EQ modules offers two channels per patch. You can easily select
a channel by simple foot switch operation. Toggle between a Fender
clean sound for rhythm and a Marshall drive sound for lead, while
keeping modulation and spatial effect settings the same. The user
interface with analog knobs lets you shape the sound with the same
facility as on a guitar amp.
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Great for stage work or direct recording |
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The amp/drive-modeling blocks have two dedicated
algorithms for each amp/drive type, designed for live playing and
direct recording. The CABINET effect simulates amp and mic
recording characteristics as well, and the algorithm is
automatically switched according to the CABINET on/off setting.This
lets you bring the same guitar sound that you used during practice
or recording right on to the stage. Alternatively, sound settings
that were determined during a session with the band can be used
seamlessly in the studio as well.
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Amp
select feature |
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This function optimizes frequency response to match the
amp that you are using. Settings are available to get the best out
of popular models such as Roland JC-120, a Fender combo, and a
Marshall stack. The -10 dBm/+4 dBm output level switch allows the
G9.2tt to be used as a preamp, directly connected to the power amp
input of a guitar amplifier.
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6-band graphic equalizer |
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The built-in EQ module has six frequency bands optimized
for electric guitar. Peaking type filters in the crucial middle
range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving
type filters at the low and high end (160 Hz and 12 kHz). This
ensures the shortest possible route from inspiration to actual
sound. |
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Guitar amplifier/stomp box modeling |
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Analog devices such as tubes and diodes have unique
clipping characteristics. Sophisticated digital simulation finally
makes it possible to recreate the sound of vintage tube amps and
effect devices with astonishing realism. From popular names such as
Fender, Marshall, and VOX to modern amps including MESA BOOGIE,
Hughes & Kettner, and Diezel - the list of choices is
extensive. The cabinet simulator even has settings for mic
position, to achieve totally natural sounding
performance |
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| 32-bit processing for a wide choice of high-quality
guitar sound effects |
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Ranging from trusty old standards to advanced choices for
specialized needs, the effect collection of the G9.2tt comprises
120 effects in 10 modules. Pick an MXR Dynacomp, famous for its
unusual compression action, or select wah pedal simulations such as
VOX and CRYBABY. Choose from three types of chorus for creating a
solid, wide sound stage. Access seven types of reverb with
transparent, unblurred sound. And the list goes on: tremolo with
selectable modulation waveform, bend chorus with individual pitch
bending, harmonized pitch shifter, multi-tap delay even reverse
delay. These professional quality effects will fuel the creativity
of every guitarist. The preamp section and wah/filter effects allow
changing the module insert position for even more advanced tonal
control.
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Preset patches ready to use for recording or live
performance |
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Whether you are after a true-blue vintage tone or fat
high-gain sound, you will find a choice here. There are settings
that accurately simulate well-known amps and stomp boxes, settings
that are modeled on the signature sound of famous guitarists, as
well as totally original ZOOM effect sounds. The past and the
future of guitar sound is right there at your fingertips. The
G9.2tt comes preprogrammed with a total of 80 preset patches. For
creative leeway, a user area capable of storing the same number of
patches is also provided.
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Intuitive interface great for stage use |
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Each of the four analog style rotary knobs let you
directly edit parameters on-the-fly, a total of four
simultaneously. The LCD panel clearly shows patch and parameter
names. Direct access keys are provided for each module. The
advanced user interface is designed to ensure hassle-free
operation, while not getting in the way of your creativity. On
stage, the foot switches allows easy effect bank selection, module
and hold delay on/off switching or tap tempo input. The self-lit
switches show module status at a glance.
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Real-time modulation for 4 simultaneous parameters
fosters lively playing |
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The built-in expression pedal allows control over effect
parameters in realtime. Common pedal effects such as wah, pitch,
and volume control are ofcourse supported, but you can also opt to
adjust drive gain, modulationrate, delay/reverb mix level, and
other parameters. Up to four parameterscan be assigned to a single
pedal, allowing dramatic techniques such asraising the chorus,
delay, and reverb at the same time. Create a rotary speaker style
sound by varying tremolo, chorus, and auto-panning rate. Also,the
ARRM (Auto Repeat Real-time Modulation) function is capable of
producingrhythmical tone changes, opening up a wealth of
possibilities.
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World's fastest patch change speed: 7 ms |
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Switching patches has never been smoother or less
noticeable. With its record-setting speed of 0.007 seconds (7ms),
the G series never miss a beat.When changing to a lead preset in
the middle a song, you no longer need to press the switch in
advance, simply push the foot switch and start playing your
solo.
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Built-in tuner supports special tuning
requirements |
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The guitar tuner can be called up instantly by pushing a
dedicated footswitch. In addition to the standard auto-chromatic
tuner, various othertuning methods for guitar and bass are
possible, and open tunings are alsosupported. High-brightness LED
indicators make the note readout easy to seeon a dark stage. The
calibration range is A 435 to 445 Hz, and muted tuning(without
sound output) is also possible. Tuning your guitar has never been
easier or more convenient
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ZNR
keeps playing pauses really quiet |
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The built-in ZOOM Noise Reduction (ZNR) provides
optimized signal performance for guitar. While minimizing any
alteration of the original sound, ZNR cuts unwanted noise during
pauses. Tails of sustained notes remain unaffected, with a long
natural release.
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Ultra low noise design with 120 dB S/N ratio and -100 dB
noise floor |
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With an amazing rated signal-to-noise ratio of 120 dB and
a -100 dB noise floor, background noise ceases to be a problem,
leaving only superbly clean, transparent sound.
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Sturdy metal chassis and rubber damping for superior
toughness and durability |
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The combination of a solid metal chassis with
shock-absorbant rubber damping ensures that the unit can stand up
to the rigors of on stage use. Take it on the road or bring it into
the studio, the G9.2tt will not let you down. And it looks great,
too, the stylish two-tone coloring using silver and black, rounded
shape, and chrome-plated parts give the unit a high-class,
futuristic appearance.
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USB based audio interface functions |
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The USB port allows the unit to function as an audio
interface for a computer. Simply plug the unit in to your computer
with a USB cable to use the high-quality sound of the G9.2tt in a
computer-based recording system. The high-performance DAW
application "Cubase LE" comes bundled with the unit, so you can
start creating sophisticated music straight away. Because playback
from the DAW application can be monitored at the unit itself, there
are no latency problems during recording.
Supported OS:
Windows XP / Mac OS X 10.2 or later
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*Steinberg and Cubase are registered trademarks
of Steinberg Media Technologies GmbH.
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| MIDI IN/OUT jacks allow linking to other
equipment |
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The ability to exchange MIDI data with other devices
opens up a wealth of possibilities. You can switch patches in
conjunction with a MIDI enabled preamp, or use the unit as a
real-time controller for other MIDI equipment. By connecting the
MIDI interface to a computer, you may use a dedicated
editor/librarian application to edit and store patch
data.
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AUX
IN jacks accommodate external sources |
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The playback signal from external sources can be
plugged-into the AUX input. Jam along with a rhythm machine,
external CD or mp3 player. You may also utilize the connectors as a
stereo line input to record audio into your computer via the USB
interface.
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Accelerator blends tube and solid state
sound |
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The analog input section incorporates an Accelerator that
can amplify the signal in a tube or a solid-state based circuit.
The 12AX7 tube produces fat, sturdy sound that can be mixed with
the clear and transparent sound from the solid-state circuit.
Blending natural compression with typical tube saturation
characteristics creates a rich, organic tone.
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Z-pedal takes pedal performance to the next
level |
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The pedal on the right side of the G9.2tt
supports 3D action by sensing not only conventional up/down but
also sideways movement. The Z-pedal lets you build highly complex
sound control patterns by allowing you to assign up to four
parameters in each axis of pedal movement (vertical and
horizontal). There are also effects specifically designed for use
with the Z-pedal. Get creative in ways never imagined before, and
explore a whole new realm of pedal performance.
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<RECOMMENDED SETTING OF Z PEDAL >
| VERTICAL PARAMETER |
HORIZONTAL PARAMETER |
| WAH |
DRIVE GAIN |
| WAH |
PITCH SHIFT |
| MODULATION RATE |
CROSS-FADE OF ORIGINAL/EFFECT SOUND |
| DELAY TIME |
DELAY FEEDBACK |
| DELAY/REVERB MIX |
DELAY/REVERB PAN |
| OSCILLATOR PITCH |
OSCILLATOR VIBRATO |
| FORMANT SHIFT(o - a) |
FORMANT SHIFT(a - i) |
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External send/return loop connectors |
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A separate stomp box, rack-mount effect or other device
can be connected to the G9.2tt's effects loop and used as part of a
patch. Send/return level as well as on/off status are stored as
part of the patch. Find new uses for your favorite pedals and spark
your creativity in a variety of unexpected ways.
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EFFECT LIST |
| COMP module |
| Compressor |
Rack Comp |
Limiter
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| WAH/EFX1
module |
Auto
Wah
Tremolo
Ring Modulator
Crybaby Wah
Octave
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Auto Resonance
Phaser
Slow Attack
Multi Wah
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Booster
Fixed Phaser
Vox Wah
Pedal Resonance |
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| EXT LOOP
module |
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| ZNR Module |
| ZNR |
Noise Gate |
Dirty Gate
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| PRE AMP
module |
FD
Clean
HW Clean
Tweed Bass
Z Combo
MS Drive
Rect Modern
HK Drive
DZ Drive
Z Stack
Centaur
DS-1
Fuzz Face
TS{F Combo
Z OD
Z Clean
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VX Clean
UK Blues
BG Crunch
MS #1959
Rect Clean
HK Clean
DZ Clean
ENGL Drive
Over Drive
Guv'nor
dist{
Big Muff
SD{M Stack
Extreme DS
Acoustic Sim. |
JC Clean
US Blues
VX Crunch
MS Crunch
Rect Vintage
HK Crunch
DZ Crunch
PV Drive
TS808
RAT
Hot Box
Metal Zone
FZ{M Stack
Digi Fuzz
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| EQ module |
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| CABINET
module |
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| MOD/EFX2
module |
Chorus
Modulation Delay
Pedal Pitch
Delay
Dynamic Flanger
Pedal Mono Pitch
Bend Chorus
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Stereo Chorus
Flanger
Vibrato
Tape Echo
Mono Pitch
Cry
Comb Filter
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Chorus Ensemble
Pitch Shifter
Step
Dynamic Delay
Harmonized Pitch
Reverse Delay
Air
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| DELAY module |
Delay
Ping Pong Echo
Air
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Ping Pong Delay
Analog Delay |
Echo
Reverse Delay
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| REVERB module |
Hall
Arena
Early Reflection
Ping Pong Delay
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Room
Tiled Room
Multi Tap Delay
Ping Pong Echo
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Spring
Modern Spring
Pan Delay
Auto Pan
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For Z-Pedal
Z-Delay
Z-MonoPitch
Z-Step
X-Flanger
X-Vibe
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Z-Dimension
Z-Oscillator
Z-Talking
X-Phaser
X-Wah
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Z-Echo
Z-Pitch
Z-Tornado
X-Step
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| REAR PANEL |
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| G9.2tt
SPECIFICATIONS |
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●Effect Types : 120 ●Effect Modules : 10
●Maximum Simultaneous Effects : 10 ●Patch Memory : User 100+Preset
100, Total 200 ●Sampling Frequency : 96kHz ●A/D Conversion : 24bit,
64times over-sampling ●D/A Conversion : 24bit, 128times
over-sampling ●Signal Processing : 32bit ●Frequency Response :
20Hz-40kHz+1.0dB, -3.0dB(10kΩload)●Guitar Input : 1/4" phone
jack(Rated input level : -10dBm, Input impedance : 1MΩ)●AUX Input :
1/8" stereo phone jack(Rated input level : -10dBm, Input impedance
: 10kΩ)●External Return : 1/4" phone jack(Rated input level :
-10dBm / +4dBm)●Line Output(L/MONO, R) : 2 x 1/4" phone jack(Rated
output level : -10dBm / +4dBm, Maximum output level : +19dBm,
Output load impedance : 10kΩ or more, Output Impedance : 1kΩ or
less) ●Headphone Output : 1/4" stereo phone jack(Rated output :
60mW / 32Ω load, 20mW / 300Ω load, Output impedance :
47kΩ)●External Send : 1/4" phone jack(Rated output level : -10dBm /
+4dBm)●Tube Circuitry : 2 x 12AX7 ●MIDI : IN/OUT ●USB Interface :
16bit, 32kHz / 44.1kHz/48kHz ●Display : 2digit 7segment LED,
backlit LCD ●Power Requirements : 15V AC, 1.5A ●Dimensions :
595(W)x 235(D)x 85(H)mm ●Weight : 5.5kg ●Supplied Accessory : AC
adaptor(AD-0012)
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| Product Code |
Description |
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Price | |
| G9.2TT |
2 tubes USB outputs |
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$739.00
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