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POD®
XT Live is an uncomplicated, gig-ready
tone machine that’s portable and adaptable to different real world
stage and recording environments. PODXT
Live can be used as the ultimate multi-effects pedal in front of
any guitar amp, as a complete direct PA solution, or as the
world-standard guitar recording workhorse in the studio.
At the
center of PODXT Live is an incredible
gathering of over 80 must-have stompbox and studio effects models.
This handpicked collection of
hits from our award-winning PODXT,
stompbox modelers and Vetta™ II will give you rich and deliciously
detailed tones at the touch of a footswitch. Effects can be
positioned in front (stompbox-style) and behind (studio-post) the
Amp and Cab models, giving you organic and dynamic tones normally
available in only the most high-end guitar stage rigs.
Based on
the most prized amplifiers in the history of guitar, PODXT Live features 36 classic and modern amp
models and 24 cab models, all run through 4 incredibly precise and
dynamic microphone model options to provide a complete tonal
palette for any type of live gig or studio session. This amazing
collection of Line 6 Amp Models has been used on countless hit
recordings and tours and is now on the floor at your disposal.
PODXT Live has total of 128 preset locations ready
for instant recall via large, stage-ready channel footswitches.
Right out of the box, PODxt Live is loaded with 64 custom,
pre-programmed tones with dedicated patches for running in front of
an amp or direct recording. Plus, you've got lots of open locations
just waiting to be filled with your own creations or selections
from our vast online tone library with thousands of signature
sounds from the greatest guitarists, bands, songs and gear of all
time.
Features
also include a large backlit display, dedicated stompbox on/off
switches, combination wah/volume/tweak pedal, tap tempo/tuner
switch, an expression pedal input, stereo 1/4-inch analog outs to
feed an amp or line inputs, headphone out, aux input for your
CD/MP3 player or drum machine, MIDI, and USB computer connectivity
for digital I/O, plus deep editing using the free, downloadable
Line 6 Edit or GuitarPort software.
PODXT Live of course has a standard analog guitar
input - with a selectable pad and adjustable level to handle even
super hot active pickup outputs and high output level stompboxes.
But there’s also a Variax guitar digital connection. Now a Variax's
collection of acoustic and electric guitar models, plus PODXT Live’s assortment of amps, cabs, and effects
can ALL be instantly transformed into virtually any
guitar-effect-amp rig with just the press of a footswitch.
POD® is
the world standard for guitar tone in studios around the world, and
with PODXT Live, you can have total
control of that history making tone at your feet
AMP
MODELS:
POD®
XT Live has an incredible collection of
amp and cab models that have been used on countless hit recordings.
Based on the most prized amplifiers in the history of guitar,
PODXT Live features 36 amp models and 24
cab models that will take you everywhere from classic and boutique,
to modern and insane.
PODXT Live has our A.I.R. II
cabinet/microphone modeling, which allows you to choose from 4
different classic mic models and even adjust the position of the
mic and how much of the room you hear. PODXT Live 's ability to mix and match speaker cabinets
and mics will help you find exactly the vibe that you're looking
for.
Amp Models based on*:
|
Cabinet Models based on*:
|
| Line 6® Clean |
6x9 Supro® S6616 |
| Line 6® JTS-45 |
1x8 1961 Fender® Tweed Champ® |
| Line 6® Class A |
1x10
Gibson® |
| Line
6® Mood |
1x10 Gretsch® 6156 |
| Line 6® Spinal Puppet |
1x12 Line 6® |
| Line
6® Chemical X |
1x12 1953
Fender® Tweed Deluxe Reverb® |
| Line
6® Insane |
| Line
6® Piezacoustic 2 |
1x12 1964
Fender® Blackface Deluxe Reverb® |
| Line
6® Agro |
| Line
6® Lunatic |
1x12 1960 Vox® AC-15 |
| Line
6® Treadplate |
1X15 1962 Supro® Thunderbolt |
| Line
6® Variax Acoustic |
2x2 Fender® Mini Twin Reverb® |
Budda
2001 Twinmaster
|
2x12 Line 6® |
| Fender® 1953 Deluxe Reverb® |
2x12 1965
Fender® Blackface Twin Reverb® |
| Fender® 1958 Bassman® |
| Fender® 1961 Champ® |
2x12 1995 Matchless® Chieftain |
| Fender® 1964 Deluxe Reverb® |
2x12 Roland® JC-120 |
| Fender® 1965 Twin Reverb® |
2x12 1967 Vox® AC-30 |
| Gretsch®
1960 6156 |
2X12 1967 Silvertone® Twin Twelve |
| Hiwatt® 1973 Custom 100 |
4x10 Line 6® |
| Marshall®
1966 JTM-45 |
4x10 1959 Fender® Bassman® |
| Marshall®
1968 Super Lead |
4x12 Line 6® |
| Marshall®
1968 Jump Channel |
4x12 1967 Marshall® Basketweave with
Greenbacks |
| Marshall®
1968 Variac Plexi |
| Marshall®
1987 JCM 800 |
4x12 1968 Marshall® Basketweave with
Greenbacks |
| Marshall®
1996 JMP-1 |
| Matchless®
1996 Chieftain |
4x12 1978 Marshall® with stock 70s |
| Matchless®
1993 DC-30 |
4x12 1996 Marshall® with Vintage 30s |
| Mesa/Boogie®
2001 Dual Rectifier® |
4x12 Mesa/Boogie® |
| |
| Mesa/Boogie®
Mark IIc+ |
|
| Roland® Jazz Chorus 120 |
Mic Models based
on*: |
| Soldano 1993 SLO-100 |
Shure® SM-57 On Axis |
| Supro
1960's S6616 |
Shure® SM-57 Off Axis |
| Vox® 1961 AC-15 |
Sennheiser® MD-421 |
| Vox® 1967 AC-30TB |
Neumann® U-67 |
| Tube
Preamp |
EFFECT MODELS:
Effect Models based on*:
  |
LA-2A® Compressor |
  |
Noise Gate |
  |
Fuzz Face |
  |
Big
Muff Pi® |
  |
Tubescreamer® |
  |
ProCo Rat |
  |
Octavia |
  |
CS-1
Comp/Sustainer |
  |
Dynacomp |
  |
Vetta™ Comp |
  |
Auto Swell |
  |
Mutron III |
  |
Line 6® Sine
Chorus |
  |
Line 6® Flanger |
  |
A/DA® Flanger |
  |
MXR® Phase
90 |
  |
Uni-Vibe |
  |
Opto Tremolo model from the 1965 Fender® Deluxe Reverb® |
  |
Bias Tremolo model from 1960 Vox® AC-15
|
  |
Leslie® 145
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Vibratone
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Auto-pan
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Boss® DM-2
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Deluxe Memory Man
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EP-1 Tube Echoplex
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Roland® RE-101 Space
Echo
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Sweep Echo
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Line 6® Digital
Delay
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Line 6® Stereo
Delay
|
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Ping Pong Delay
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Reverse Delay
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Fender® Deluxe Spring
Reverb
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Fender® Twin Spring
Reverb
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King Spring Reverb
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Small Room Reverb
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Tiled Room Reverb
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Brite Room Reverb
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Dark Hall Reverb
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Medium Hall Reverb
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Large Hall Reverb
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Rich Chamber Reverb
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Chamber Reverb
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Cavernous Reverb
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Slap Plate Reverb
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Vintage Plate Reverb
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Large Plate Reverb
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Wah
modeled after the Vox® Wah
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Volume (Pre- or Post-Amp Routing options)
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Post-EQ
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INS
& OUTS:
USB - PODXT Live’s USB jack lets you connect to most
computers and record directly to a wide variety of popular
recording software packages. We’ve even included a USB cable for
use with our GuitarPort® Windows® based software and PODXT Live Mac®/Windows® driver software. All this
software - along with directions for using it - is free for you to
download at www.line6.com.
Variax® - Connect a Line 6 Variax guitar here and experience
a whole new world of possibility and sound-control power. In
addition to a direct digital audio connection between the guitar
and PODXT Live, you can even have the
Variax change guitars, pickups, and tone control settings each time
you choose a new channel from your PODXT
Live ’s footswitches.
MIDI In & Out - Connect PODXT
Live to your MIDI equipment to select Channel Memories (via Program
Change messages), or automate PODXT Live
settings (via controllers and/or SySex). You can also use MIDI (or
USB) to communicate with the free Line 6 Edit software downloadable
from www.line6.com.
Phones - When you want to listen with headphones, plug them
in here. PODXT Live automatically
switches to Studio Mode whenever headphones connected..
Output To Amp/Line - The unbalanced 1/4-inch connectors get
your PODXT Live’s sound to a guitar
amplifier, recorder, mixer or PA system. Flick the rear panel
switch to AMP when you’ve got your PODXT
Live feeding into the front of a guitar amp, or choose LINE to send
you signal to a mixer or PA. The rear panel LEVEL knob sets the -
you guessed it! - output level. Changing the OUTPUT level does not
change your tone, so you can get the tone you want at any volume
level.
Aux Input - Connect a CD player, MP3 player, drum machine,
virtual accordion, or other device here, and you’ll hear it at
PODXT Live ’s headphone and Amp/Line
outputs. Very handy for jamming along!
Input - Your guitar goes here. Set the switch to norm for
use with most passive pickup guitars. If you have to put two 9-volt
batteries in your guitar to make it shred, point your guitar down
and use that “shark” headstock to flip the switch to pad. (Also
handy for those stompboxes that have ridiculously hot output
levels.)
Pedal 2 - You can add even more real-time control by
connecting a standard expression pedal, such as the Line 6 EX-1.
You’ll be able to control Wah, Volume, and Tweak functions all at
the same time.
| Product Code |
Description |
Attributes |
Price | |
| POD XT Live |
POD XT with footpedal |
|
$649.00
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